FILM SILAT SIJAMPANG

Si Ronda was adapted from a lenong a Betawi oral tradition similar to a stage play popular with ethnic Chinese and native audiences of the time. Dompet Dhuafa representative Moh. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat traditional Malay martial arts , known as Si Ronda. Archived from the original on 28 April Archived from the original on 22 July Saptadji himself is the nephew of Sukarna, who is believed to be a sixth generation descendant of Jampang.

In attempts to pass on the legacy of his predecessors, Saptadji with the support of private foundation Dompet Dhuafa, initiated Kampoeng Silat Jampang in to revive the fighting tradition in his village. Dompet Dhuafa representative Moh. Framing the New Order. In the domestic cinema, such sequences had generally been inspired by American works and been well received by audiences. Bikin Film di Jawa [ History of Film — National Culture on Screen.

Passing on a Legacy – Si Jampang – SENI SILAT CAPE TOWN

Dozens of children wearing black-and-white uniforms swarmed onto a dijampang to learn and to practice the traditional Indonesian martial art known as pencak silat. Komunitas Bamboo working with the Jakarta Art Council. Trainings are also offered at schools in the form of extracurricular activities. In the long run, Awaluddin hopes that Kampoeng Silat Jampang will become a new center for the development of the ancient self defense method in the country, standing side by side with the existing martial arts hub at Taman Mini Indonesia Indah, or perhaps replacing it.

The self-defense technique got another boost from the success of the action movie The Raid, which features Indonesian actors performing pencak silat.

Saptadji himself is the nephew of Sukarna, who is believed to ailat a sixth generation descendant of Jampang. In the domestic cinema, such sequences had generally been inspired by American works and been well received by audiences. The event is a major gathering for traditional Indonesian martial arts groups. Retrieved 28 April Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat traditional Malay martial artsknown as Si Ronda.

Retrieved 22 July Powered by Create sijapang own unique website with customizable templates. Bijdragen tot de taal- land- en volkenkunde. The long-haired girl said she started with Perisai Diri one-and-a-half years ago through an extra curricular activity at her school. The Ronda stories follow the Sijampabg bandit of the same name, who is skilled at silat traditional martial arts and reputed to take from the rich to give to the poor.

  MEET THE FOKKENS DOCUMENTARY WATCH

De Sumatra Post in Dutch. In the old days, pencak silat was more than a self-defense technique but a way of life, as almost all the people in the village, both young and old, knew how to fight. Views Read Edit View history. Archived from the original on 28 April Different provinces even have their own self defense traditions.

By using this site, you agree to the Terms of Use and Privacy Policy. According to local legend, Jampang was a warrior from Sukabumi, West Java. Schadt, it starred Dicky Zulkarnaen in the title role and Lenny Marlina as his lover.

After Si RondaLie and Tan collaborated on three further films. Home What Is Seni Silat? Si Ronda was adapted from a lenong a Betawi oral tradition similar to a stage play popular with ethnic Chinese and native audiences of the time.

The sun shone brightly one Sunday in the village in Parung, Bogor. Saptadji said different self defense clubs attended the last festival to show off their unique skills and styles. Encyclopedia of Jakarta in Indonesian.

Si Ronda (film, 1930)

Similar stories to Si Ronda’s include those of Si Jampang and Si Pitung ; [3] these stage plays centred on extraordinary men referred to as jago who, though living outside the law, generally fought for the common populace. He said that youth in the area these days seem to have lost interest in pencak silat. This release was followed by the Wong brothers ‘ Rampok Preanger alsoand an adaptation of the Si Pitung stories in Biran, Misbach Yusa Once known as a hamlet of warriors in colonial times, Jampang village is now striving to pass on that legacy to its younger generation.

But in a good way. A second adaptation of the tale, Si Ronda Macan Betawiwas made in On his way to Batavia now Jakarta to confront the enemy, the man was believed to have sojourned in what is now called Jampang, where he taught local people fighting skills.

  KURATHI MAGAN FILM

The mother of two explained that her father and grandfather were pencak silat masters in the village and she said she was eager to see her son follow in the steps of his predecessors.

Self defense skills, international recognition and soon financial benefits are on the list of good things coming from the efforts to save pencak silat in Jampang. In this adaptation Ronda uses his silat skills to fight corrupt land owners and colonial government workers. Shot in black-and-white, [7] this silent film starred Bachtiar Effendia set decorator with Tan’s, in his on-screen debut playing the title role.

However, it turns out the program has strayed from its original mission of preserving the tradition. One of the programs is free pencak silat training for everyone. The Minang kabau in West Sumatra have silek harimau, the Sundanese have their cimande style and Bali has bakti negara. Works by Lie Tek Swie. Retrieved from ” https: This strong cultural influence can still be traced through family histories, with almost all locals interviewed for this article explaining that their ancestors — either fathers, uncles or grandfathers — were pencak silat fighters.

This has occurred in Jampang, where the heirs of the Betawi folk hero of the same name are believed to reside and are struggling to preserve the art. Making Films in Java ] in Indonesian. National Culture on Screen.

Bikin Film di Jawa [ History of Film — But despite the global fame, it is still a challenge to maintain the pencak silat tradition in the midst of modern society. Heider writes that all Indonesian films from before are lost. And good things lead to other good things.